Mizuchi, once human, finds himself reborn as an oni after death, working as a foreman on hell’s construction site. From supervising crews and fighting monsters to managing his rowdy subordinates, every day is full throttle. With mountain hags, vengeful gods, and even lofty officials from heaven barging in, the site is always in chaos. A slapstick hell comedy where laughter and battles collide in the afterlife workplace!
And yet—
Hell is not only a workplace but part of the grand system of reincarnation. The struggles of living as an oni outside that cycle, along with the richly detailed worldbuilding, are highlights of the story. Woven together across manga, short stories, illustrations, and even tanka poetry, this is a multilayered narrative of many expressions.
The foreman of hell’s construction site. Once human, he inexplicably became an oni after death. Though his true strength rivals the mightiest in hell, few recognize it. He easily takes down the monsters that attack his site—but struggles daily with unruly subordinates and his own worldly desires. Despite his toughness, he’s never dated a woman.
The foreman of hell’s construction site. Once human, he inexplicably became an oni after death. Though his true strength rivals the mightiest in hell, few recognize it. He easily takes down the monsters that attack his site—but struggles daily with unruly subordinates and his own worldly desires. Despite his toughness, he’s never dated a woman.
Handles the heavy lifting. Cheerful and easygoing, he’s the team’s mood maker. With a goofy look that makes it hard to tell, he’s actually handsome.
In charge of machinery. A bit twisted, but still holds the values of a boy. A hornless oni.
Handles general assistance at the hell construction site. The most loyal to Mizuchi among the crew, yet quick to slack off and fall asleep on the job.
A high-ranking official of the three Realms Government. In truth, he is a colossal white dragon god stretching 10,000 meters in length. Usually, he conceals his horns and fangs to walk among others in human form.
It’s been about four years since we began creating ZIGOKU’S FOREMAN.
The very first spark came from a character called “Foreman Mizuchi,” which I originally designed for a project with fellow followers on Twitter at the time. My collaborator, Kamishiro, really took a liking to him.
As we talked—“If it’s Mizuchi, he’d do this, right?”—the setting naturally began to form: hell as the stage, a construction site as his workplace. Kamishiro then wrote a prototype short story, and soon more characters—Mizuchi’s friends and subordinates—were born. From there, I (9banta) started drawing the manga.
Kamishiro tends toward the serious side, while I lean toward comedy. By bringing out each of our strengths, we’ve built ZIGOKU’S FOREMAN together. From here on, we want to keep packing our “favorites” into it, drawing with joy, and if that joy can bring someone else a little energy or laughter, nothing would make us happier.
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